And when the others react instinctively, it’s generally a good sign. The same process starts over the next day.

How do they come up with new songs? Every member of the band works in his own musical lab before exchanging files at night. But during the autumn of 2010, they stop and take a month off to start thinking about the new album. The room is packed, people go crazy… listening to swing. The record is released a year later, and it’s an immediate hit. The word is out, their breakout song, Jolie Coquine, is playing everywhere. Terrified to be part of the gypsy jazz pantheon, they gather speed and steam and create a real posse (not unlike hip-hop) that follows them everywhere. And everything clicks in 2007, during the Django Reinhardt Festival in Samois.

They start touring long before they even think about releasing an album. A few myspace posts later and they have doubled in size, enrolling Chapi, the boisterous Colotis, and Toustou, from now a member of the band in full-time. And it’s far better than those retro futuristic sounds… because it swings. That’s where this peculiar mixture of classical Django and new trendy electro comes from.

Charles, Arnaud and Hughes, the initial trio, dig swing, especially gypsy jazz, and try their hands at the genre’s traditional instruments: guitar, double bass and violin. Their strength lies in their common passion for electronic music. The surprise breakout band of the last decade, the apostles of Electro Swing and precursors of a laidback yet terribly upbeat trend, is coming up with an evocative second album: Panic! This time, Caravan Palace takes us even farther than their first album (that sold more than 150 000 copies) and continues an amazing adventure almost started by accident. Same Palace, with a brand new customized flavor. Here we go, let’s take the Caravan for another tour.

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